Halea steps forward into a large open room, lit by flaming lanterns hanging from stalactities. Incensed smoke wafts high over a long lineup of stone plinths stretching out away from the high priestess. Upon the plinths, the feet of bandaged bodies can be seen.

The room is filled with dozens of Fata Morgana, all lying on these plinths in various states. Some are fully dressed and decorated. Others are half-dressed or have limbs missing. Some are covered by large tarps of cloth. Between the plinths are scattered a number of tool carts, holding all manner of scalpels and bandages. A variety of weapons - bows, swords, glaives - stand at the ready on either side of the room. At the end of the hall is a flat wall with several doors under stalactite-tinged arches. A cyan lantern is lit above one on the right. In the center of the wall is what looks like another undressed Fata Morgana, but under a glass case. Halea strides forward through the center of the plinths, her cape billowing as she lowers the hood of her outer cape.